Numbers
5/3, 6 (or 6/3), and 6/4 chords, 12.2
6/4 Expansions
A
Accented nonharmonic tones
in video, bottom of page
Alto clef, 14.4
Antecedent
Anticipation
Appoggiatura
Arabic numerals
Arpeggiated 6/4
Asymmetric period
Augmented, see Intervals or Triads
B
Background
Bar lines, 3.2
Bass clef, 2.1
Beam, 2.4
C
Cadence
Cadential 6/4
Changing Tones
Chord tone, 12.6
Circle of fifths, Ch. 4
Circle progression
Clef, 1.3
Common tone-stepwise (CTS) voice leading, 15.2
Common tones, 14.7 - 14.8
Consequent
Consonant skip
Continuous period
Contrary motion, 15.6
Contrary motion-nearest (CMN) voice leading, 15.7
Contrasting period
D
Deceptive cadence
Diatonic triads, 11.7
Diminished, see Intervals or Triads
Dominant, 11.3
Dominant seventh chord, Ch. 19
Dotted notes, 3.5
Double bar, 3.2
Double flats, 7.2
Double sharps, 7.3
Doubling (of chord tones), 13.3
Durations, see Notation of duration
E
Eighth note, 2.4
Embellishing tones
Enharmonics, Enharmonic equivalents, 2.8
Escape tone
F
F clef, 2.1
Figurations
Figured bass numerals
Flag, 2.4
Flat, 2.6
Foreground
Fundamental harmonic progression
G
G Clef, 1.3
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H
Half cadence
Half note, 1.7
Half step, 4.1 - 4.3
Harmonic expansion
Harmonic reduction
I
Intervals, Ch. 8
Inversion of triads
K
Key, Key note, 4.5
Key signature, definition, 5.1
Key Signatures, organization & relationships
Keyboard
L
Leading Tone, 11.3
Leading tone, doubling prohibition
Ledger line, 2.5
Letter names of notes
Levels of analysis
Low and high on the keyboard, 1.2
Lower neighbors
M
Major, see Scales, Key Signatures,
Intervals, or Triads
Major scale
Measures, 3.2
Mediant, 11.3
Minor, see Scales, Key Signatures,
Intervals, or Triads
Minor scales, Ch. 6 and Ch. 7
N
Natural sign, 7.3
Neighbor 6/4
Neighbor chord
Neighbor tone
Nonharmonic tones
Notehead, 1.5
Notation of duration
- Beam, 2.4
- Dotted notes, 3.5
- Flag, 2.4
- Eighth note, 2.4
- Half note, 1.7
- Notehead, 1.5
- Quarter note, 1.7
- Rests, 3.6
- Sixteenth notes, 3.4
- Stem, 1.7
- Whole note, 1.7
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O
Oblique motion, 15.6
Octave, 8.1
Overlapping voices, 16.7
P
Parallel motion, 15.6
Parallel period
Passing 6/4
Passing tone
Passing vii°6
Pedal 6/4
Pedal, pedal point, pedal tone
Perfect authentic cadence
Period
phrase extension
plagal cadence
Pre-dominant
Primordial tonic
Q
Quarter note, 1.7
R
Rests, 3.6
Rhythm, Ch. 3
Roman numerals, 11.5
Root position, 12.1
S
SATB notation, 14.1 - 14.2
Scale degree, 4.5
Scales
Seventh chords, 19.2
Sharp, 2.6
Similar motion, 15.6
Sixteenth notes, 3.4
Spacing (close and open), 14.4
Staff, 1.3
Stem, 1.7
Stem direction
Subdominant, 11.3
Submediant, 11.3
Supertonic, 11.3
Suspension
T
Time signatures, 3.3
Tonic, 11.3
Treble Clef, 1.3
Triads, Ch. 10
- augmented, 10.3
- diminished, 10.3
- diminished, in 4 voices
- inversions, Ch. 12
- inverted and in 4 voices, 13.4 and
Ch. 14
- major, 10.1, 10.3
- minor, 10.1, 10.3
- on circle of fifths (graphic)
- writing given 3rd or 5th only, 10.6
- writing by comparison to major, Ch. 10B
U
Unaccented nonharmonic tones
in video, bottom of page
Upper neighbor
Urklang
V
Vocal ranges, 16.6
Voice crossing, 16.7
Voice exchange
Voice leading, 15.1
W
Whole note, 1.7
Whole step, 4.1 - 4.3
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